This instrument is built primarily from 50,000 year old New Zealand Kauri. The additional woods include Bethlehem Olive, Cedar of Lebanon, and a diamond cut of SE Asian amboyna burl set into the sound chamber. Inlaid...

During the build of my recently posted 3 piece instrument, back in 2011, I had some initial success that prompted initiating a second build a few months later. I was wrong. Five years later, I smashed the Gm...

Straight out of the ‘What’s The Rush Dept.’ here at Querencia Woodwinds, is an instrument I’ve been building since 2011, and I think it’s done…..Oklahoma red cedar, interchangeable barrels, tuned to F#m with the shorter barrel tuned to the neighborhood of Am. The...

So Peruvian huangana negra is the material used for this G#m instrument, as it remains one of my favorite tone woods, I continue to be the only builder on earth using this material, and it is not the most...

And the primary wood is pretty special. New Zealand Kauri is about as big around as a house and still grows there. This kauri was harvested from a tree that fell over, and into a peat bog, about 50,000 years...

Laotian flamewood is one of the hardest, most beautiful, and nastiest of the rosewood species on the planet. There are aspects of this build that look like they were done by a six year old, owing to the...

Burls, when found growing on the sides of trees, or within a tree’s root system, are an interesting anomaly for any variety. They are nothing more than a wart, and look and behave without regard for any...

Huangana Negra remains one of my favorite tone woods in building flutes. This started out tuned to F#m, but became a Gm after adding the stylized snake tuning hole at the far end. Amboyna burl, old growth redwood burl,...

Poplar F#m, 20.5” in length, 7/8” bore diameter. This material is excited to become a flute, instead of the predictable destiny of becoming a cardboard box. It is not one of my favorite tone woods, because it...